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Format: Prime Video (streaming online video). Devices: Available to Driven to Kill ist erneut einer der besten Filme von Steven Seagal nach Deathly Weapon. Driven to Kill - Zur Rache verdammt! jetzt legal streamen. Hier findest du einen Überblick aller Anbieter, bei denen du Driven to Kill - Zur Rache verdammt!. Steven Seagal: Driven to Kill (Driven to Kill): Actionfilm von Kirk Shaw mit Steven Seagal/Linda Minard/Reg Tupper. Auf DVD und Blu-Ray. Jetzt Driven to Kill online schauen. Driven to Kill online leihen und sofort anschauen bei maxdome, Deutschlands größter Online-Videothek. Driven to Kill - Zur Rache verdammt jetzt legal online anschauen. Der Film ist aktuell bei iTunes, freenet Video, videociety, Cineplex Home, maxdome, Sony.
Steven Seagal: Driven to Kill (Driven to Kill): Actionfilm von Kirk Shaw mit Steven Seagal/Linda Minard/Reg Tupper. Auf DVD und Blu-Ray. Driven to Kill - Zur Rache verdammt jetzt legal online anschauen. Der Film ist aktuell bei iTunes, freenet Video, videociety, Cineplex Home, maxdome, Sony. Streams und Mediatheken. Amazon Video · de · Kaufen ab 5,99 € · Amazon Video · de · Leihen ab 3,99 € · iTunes · de · Kaufen ab 5.
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Young Thug 2 Sarah Drzazgowski Hooker Francine Cohen Exotic Dancer 1 Rita Edwards Exotic Dancer 2 Yasmine Vox Exotic Dancer 3 Rest of cast listed alphabetically: Bob Gunter Police Officer uncredited Lucia Oskerova Brown Robert Crippen Jess Luka Aubrey White Seagal Chris Mullen Halpin Malissa Katrynuk Seagal Scott A.
Shaw Richard Smith Edit page. Steven Seagal. The Best of Steven Seagal. Share this page:. Clear your history. A US drugs cop in Bucharest is up against a Russian gun and drug trafficker employing cute women and a Gypsy gang leader, who plunders, rapes and kills the young and rich.
Lots of fighting and shooting. When a dedicated police officer is murdered, his father goes on a hunt for the people responsible. John is sent in to recover a stolen Stealth Bomber.
His trusty sidekick Rojar and ever faithful Jessica fight the rebel forces of Banansistan, led by the vivacious Ellianna. An unsuspecting university professor is an unwitting accomplice in a foiled Chinese cocaine deal.
Wrongly imprisoned, he escapes to take his revenge and prove his innocence. When a government official is killed, an American operative with experience in the Yakuza culture is brought in to investigate.
An ex-CIA agent's quest to find his kidnapped daughter leads him on a trail of political intrigue, corruption, danger and betrayal; he will stop at nothing to save her.
A man leaves special forces and hides away as handyman in Bucharest. He befriends two sisters living next door. When the Russian mob threatens them, he takes action.
A crime boss sends his top man to kill a prisoner. He gets the wrong man and pays the price. His ex boss is now being squeezed out by Ice Man, who's responsible for the "wrong man" deal.
A former Russian mobster named Ruslan, who is now a crime novelist, returns home and discovers his daughter is marrying his arch nemesis.
His past also comes back to haunt him when his family is threatened. Hungry for justice, Ruslan returns to the life he once knew Written by anon.
Now, after total crap like "Kill Switch" and "Against the Dark," almost anything in focus would seem good.
The direction, while not splashy, is competent a rarity for recent Seagal flicks. Now, to be honest, it would take a few more million dollars, a lot of retakes, some recasting of supporting roles, and a car chase or two to make this into a theatrical action-exploitation flick along the lines of "Taken.
It reminds me of a Charles Bronson low budget mids movie like Murphy's Law. However, the shortcomings that affect all direct to video movies with their short shooting schedules and low budgets also brings D2K down a bit as well.
The biggest problem is that about half of the supporting performances are embarrassingly lame--the female police officer and the oily lawyer in particular.
And there were also some really strange choices made for the film's score. Upbeat Russian folk music during dramatic and violent beatdowns?
Seems odd to me. In fact, sometimes the music behind the action is so ill-fitting that it seems like we're listening to a placeholder score that the filmmakers intended to replace.
They might as well have said "hey, get that old polka album--we'll use that music for the part where Ruslan cracks the guy's neck!
It has a small scale old school action vibe that I could get into and little to none of the unintentionally comedic incompetence we have come to expect from Seagal's output over the past decade.
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